Family secrets bubble to the surface in this deeply felt comedy.
On her wedding day, a bride locks herself in her bedroom.
Margie and Matti are supposed to be getting married, but Margie has locked the door to her bedroom and won’t respond to anyone who tries to speak with her. Matti and his parents gather outside along with Margie’s mom, Nadia, her cousin, Ilan, and her grandmother. “Well,” says Arieh, Matti’s father, “not to worry. So she won’t talk. She doesn’t have to. The bride does not have to talk, as far as I recall.” But Margie won’t unlock the door, either, and the hours are passing. The caterer keeps calling, and soon the wedding guests will begin to assemble. Matalon (The Sound of Our Steps, 2015, etc.), an award-winning Israeli writer who died in 2017, describes Margie’s situation with great humor as well as pathos. At first, Matti is desperate to get that door open. “Margie!” he shouts. “Do you even care what I’m going through with this whole mess you’ve made?” But as the hours pass, Matti himself starts to feel more and more ambivalent about their wedding. Margie slips an ambiguous poem under the door, but it does little to clarify things—in fact, throughout the book, Margie is the one character who remains silent. Everyone else, meanwhile, is in an uproar. The chaos is reminiscent of My Big Fat Greek Wedding, but Jewish, and backwards: This bride doesn’t want to go through with things. Matti’s parents call an organization known as “Reluctant Brides,” which sends over a psychologist. Darker undertones become visible; apparently Margie had a younger sister, Natalie, who disappeared years earlier. Matalon’s last novel is a whirlwind of family chaos and comedy, humor but also great feeling. If the comedy occasionally slips too far into caricature, there’s enough charm here to make up for that, and more besides.
Family secrets bubble to the surface in this deeply felt comedy.Pub Date: Oct. 1, 2019
ISBN: 978-1-939931-75-7
Page Count: 128
Publisher: New Vessel Press
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
Sink into this book like a hot, scented bath...a delicious, relaxing pleasure. And a clever whodunit at the same time.
A wedding on Nantucket is canceled when the bride finds her maid of honor floating facedown in the Atlantic on the morning of the big day.
One of the supporting characters in Hilderbrand's (Winter Solstice, 2017, etc.) 21st Nantucket novel is Greer Garrison, the mother of the groom and a well-known novelist. Unfortunately, in addition to all the other hell about to break loose in Greer's life, she's gone off her game. Early in the book, a disappointed reader wonders if "the esteemed mystery writer, who is always named in the same breath as Sue Grafton and Louise Penny, is coasting now, in her middle age." In fact, Greer's latest manuscript is about to be rejected and sent back for a complete rewrite, with a deadline of two weeks. But wanna know who's most definitely not coasting? Elin Hilderbrand. Readers can open her latest with complete confidence that it will deliver everything we expect: terrific clothes and food, smart humor, fun plot, Nantucket atmosphere, connections to the characters of preceding novels, and warmth in relationships evoked so beautifully it gets you right there. Example: a tiny moment between the chief of police and his wife. It's very late in the book, and he still hasn't figured out what the hell happened to poor Merritt Monaco, the Instagram influencer and publicist for the Wildlife Conservation Society. Even though it's dinner time, he has to leave the "cold blue cans of Cisco beer in his fridge” and get back to work. " ‘I hate murder investigations,’ [his wife] says, lifting her face for a kiss. ‘But I love you.’ " You will feel that just as powerfully as you believe that Celeste Otis, the bride-to-be, would rather be anywhere on Earth than on the beautiful isle of Nantucket, marrying the handsome, kind, and utterly smitten Benji Winbury. In fact, she had a fully packed bag with her at the crack of dawn when she found her best friend's body.
Sink into this book like a hot, scented bath...a delicious, relaxing pleasure. And a clever whodunit at the same time.Pub Date: June 19, 2018
ISBN: 978-0-316-37526-9
Page Count: 464
Publisher: Little, Brown
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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