by Ronit Matalon ; translated by Dalya Bilu ‧ RELEASE DATE: Aug. 4, 2015
Lovely and difficult.
A novel in stories from the Israeli author of The One Facing Us (1998) and Bliss (2003).
This is the tale of an Egyptian-Jewish family living in a concrete shack on the outskirts of Tel Aviv in the 1950s and ’60s. There's a father—mostly absent—and a boy and two girls. Then there's the mother, Lucette, and “the mother” is precisely how her children refer to her. To them, she isn’t an individual person so much as she is a force—protean, predictably unpredictable, not quite human. “Our knowledge of her, which was made up of countless inner withdrawals, silent understandings and agreements, a weave of dread and love that kept changing its colors, had us riveted.” The Lucette that her children see is Lucette the immigrant, a woman who works 12-hour days at menial jobs, a woman who is now known by a name in a language she doesn’t even understand—her Hebrew name is Lavana; she speaks only Arabic and French. Everything soft and feminine she left behind in Egypt. Seen through the eyes of the younger daughter, Lucette’s existential instability is the central problem of the book. For this girl, the volatile politics of midcentury Israel mean nothing. It’s the war at home—the home her family struggles to regard as a home, the home that is a physical extension of the mother—that shapes her life. There’s little dialogue here, the setting barely shifts, and most of the action is internal. What Matalon offers instead of a traditional plot is a collection of nearly static scenes, many just a few hundred words in length. Cumulatively, they don’t create a narrative so much as a universe, a universe as rich and carefully drawn as it is harsh. Lucette’s youngest child is a careful observer—both as a girl and as an adult—and there is poetry on every page.
Lovely and difficult.Pub Date: Aug. 4, 2015
ISBN: 978-0-8050-9160-1
Page Count: 384
Publisher: Metropolitan/Henry Holt
Review Posted Online: May 19, 2015
Kirkus Reviews Issue: June 1, 2015
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by Ronit Matalon ; translated by Jessica Cohen
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by Ronit Matalon & translated by Jessica Cohen
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PROFILES
by Charles Martin ‧ RELEASE DATE: April 4, 2006
Deep schmaltz in the Bible Belt.
Christian-fiction writer Martin (The Dead Don’t Dance, not reviewed) chronicles the personal tragedy of a Georgia heart surgeon.
Five years ago in Atlanta, Reese could not save his beloved wife Emma from heart failure, even though the Harvard-trained surgeon became a physician so that he could find a way to fix his childhood sweetheart’s congenitally faulty ticker. He renounced practicing medicine after her death and now lives in quiet anonymity as a boat mechanic on Lake Burton. Across the lake is Emma’s brother Charlie, who was rendered blind on the same desperate night that Reese fought to revive his wife on their kitchen floor. When Reese helps save the life of a seven-year-old local girl named Annie, who turns out to have irreparable heart damage, he is compassionately drawn into her case. He also grows close to Annie’s attractive Aunt Cindy and gradually comes to recognize that the family needs his expertise as a transplant surgeon. Martin displays some impressive knowledge about medical practice and the workings of the heart, but his Christian message is not exactly subtle. “If anything in this universe reflects the fingerprint of God, it is the human heart,” Reese notes of his medical studies. Emma’s letters (kept in a bank vault) quote Bible verse; Charlie elucidates stories of Jesus’ miracles for young Annie; even the napkins at the local bar, The Well, carry passages from the Gospel of John for the benefit of the biker clientele. Moreover, Martin relentlessly hammers home his sentimentality with nature-specific metaphors involving mating cardinals and crying crickets. (Annie sells crickets as well as lemonade to raise money for her heart surgery.) Reese’s habitual muttering of worldly slogans from Milton and Shakespeare (“I am ashes where once I was fire”) doesn’t much cut the cloying piety, and an over-the-top surgical save leaves the reader feeling positively bruised.
Deep schmaltz in the Bible Belt.Pub Date: April 4, 2006
ISBN: 1-5955-4054-7
Page Count: 320
Publisher: WestBow/Thomas Nelson
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2006
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by C.S. Lewis ‧ RELEASE DATE: Jan. 1, 1942
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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by C.S. Lewis
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