Ventrella reveals the many ways in which the sins of the fathers are visited upon the sons—and the daughters.
In the 1980s, a malacarne, or “bad seed,” grows up in a gritty neighborhood in the Italian city of Bari, on the Adriatic Coast, and seeks escape from the violence and mortifications she witnesses and endures there.
Maria De Santis, the spirited daughter of the mercurial Antonio and his browbeaten wife, Teresa, lives up to the “bad seed” designation bestowed upon her by her fisherman father, a Tony Curtis look-alike with a violent temper. Life in the poorest quarter of Bari provides Marí with few opportunities to indulge in wanderlust or satisfy her yearning for escape and recognition. A childhood alliance with the overweight and shunned Michele—another outsider with considerable family burdens of his own—provides Marí with a confidant and much-needed companion in adventure. Long-standing family rivalries and animosities (some based in reality, some in superstition) determine the course of Marí and Michele’s relationship in ways which are tragic, operatic, and soap operatic all at once. Marí’s violent family life mirrors the brutal reality of everyday life in the Bari underclass, but her struggle to escape her home, family, and city resembles the experiences of other young heroines as well. Ventrella’s narrative examines themes of class and gender expectations, accompanied by enough nostalgic detail to make the "old country" more appealing in memory than it was in reality. Inevitable comparisons of Ventrella’s work with that of Elena Ferrante—who also dissects the emotional experiences of young Italian women—will be propelled by Goldstein’s fluid translation of this novel in the wake of her work on Ferrante’s juggernaut. Ventrella's ambitious attempt to convey Marí's struggle echoes Ferrante's epic approach to chronicling women's lives, but, here, the action is played out on a smaller scale, over a shorter time, with fewer characters. Simmering violence and misogyny percolate beneath the surface of Marí’s story, but, really, everyone seems miserable and trapped in the net of poverty and deprivation Ventrella wraps around her characters.
Ventrella reveals the many ways in which the sins of the fathers are visited upon the sons—and the daughters.Pub Date: June 1, 2020
ISBN: 978-1-5420-0443-5
Page Count: 272
Publisher: Amazon Crossing
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.
A year in the life of the No. 2 boarding school in America—up from No. 19 last year!
Rumors of Hilderbrand’s retirement were greatly exaggerated, it turns out, since not only has she not gone out to pasture, she’s started over in high school, with her daughter Shelby Cunningham as co-author. As their delicious new book opens, it’s Move-In Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second-stringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding-school rankings that a high-profile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high-style secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits.
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.Pub Date: Sept. 16, 2025
ISBN: 9780316567855
Page Count: 432
Publisher: Little, Brown
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A masterpiece.
Two young Indian writers discover their conjoined destinies by leaving home, coming back, connecting, disconnecting, and swimming in the ocean at Goa.
Sonia’s grandfather, the lawyer, and his friend, the Colonel, are connected by a weekly chess game and a local tradition of families sharing food, “paraded through the neighborhood in tiffin carriers, in thermos flasks, upon plates covered in napkins tied in rabbit ears.” Shortly after Desai’s magnificent third novel opens, the two families are also connected by a marriage proposal. Upon hearing that Sonia is feeling lonely at college in Vermont—loneliness? Is there anything more un-Indian?—and unaware that she is romantically involved with a famous, much older painter, her elders deliver a hilariously lukewarm letter proposing that she be introduced to Sonny, the Colonel’s grandson. Sonny is living in New York working as a copy editor at The Associated Press, and he, too, has a partner no one knows about. Sonny’s family feels they are being asked to give up their son to balance out some long-ago bad investment advice from the Colonel; on the other hand, they would very much like to get the other family’s kebab recipe. The fate of this half-hearted setup unfurls over many years and almost 700 delicious pages that the author has apparently been working on since the publication of The Inheritance of Loss (2006), which won the Booker Prize and National Book Critics Circle Award. You can almost feel the decades passing as the novel becomes increasingly concerned with the process of novel-writing; toward the end, Sonia can’t stop thinking about whether, if she writes all the stories she knows, “these stories [would] intersect and make a book? How would they hold together?” Desai’s trust in her own process pays off, as vignettes of just a page or two (Sonia’s head-spinning tour of a museum with the great artist; Sonny’s lightning-strike theory that only people who have cleaned their own toilet can appreciate reading novels) intersect with the novel’s central obsessions—love, family, writing, the role of the U.S. in the Indian imagination, the dangers faced by a woman on her own—and come to a perfectly satisfying close.
A masterpiece.Pub Date: Sept. 23, 2025
ISBN: 9780307700155
Page Count: 704
Publisher: Hogarth
Review Posted Online: June 6, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
BOOK REVIEW
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PERSPECTIVES
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