A solid introduction to a Cuban ballet legend that will inspire readers to learn more.
Many readers are familiar with Misty Copeland, but how many know about Alicia Alonso?
Viña begins this appealing biography in 1929 in Havana, Cuba. Excited to learn ballet, Alonso trains daily in “the only pair [of pointe shoes] available in the whole country.” She is a girl with a dream to practice an art that does yet exist fully in her homeland. In 1937 she leaves for New York City, in spite of her father’s disapproval, to train, with limited English, at the American Ballet Theatre. There she faces unimpressed teachers but nonetheless receives praise for her technique. When faltering vision causes her to pause training to undergo multiple surgeries to save her eyesight, she eventually ends up on bed rest for a year after a final operation. Alonso relies on her imagination and memory to keep dancing—a remarkable example of her determination. Viña chronicles Alonso’s recovery and eventual stardom as a principal ballerina in Giselle, Swan Lake, and Don Quixote in spite of living with low-vision disabilities, concluding with Alonso’s return to Cuba in 1958, which marks the founding of Ballet Nacional de Cuba. With Spanish words infused so that they flow naturally throughout, Viña adds an authentic cultural layer to an inspiring artist’s career. Félix’s illustrations, while straightforward and simple, add colorful richness that brings Viña’s engaging storytelling to life.
A solid introduction to a Cuban ballet legend that will inspire readers to learn more. (author’s note, resources) (Picture book/biography. 5-8)Pub Date: Oct. 1, 2021
ISBN: 978-0-8075-1454-2
Page Count: 32
Publisher: Whitman
Review Posted Online: Aug. 30, 2021
Kirkus Reviews Issue: Sept. 15, 2021
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
