Despite its flaws, this uneven offering still serves to introduce numbers bilingually.
Readers count up from one piñata to 10 friends at a fiesta.
The numbers are introduced, in English, in erratically metered three- or four-line stanzas. “Two are maracas / we shake to the beat. / Two are zapatos / on my feet.” The Spanish number names appear only under the indicated numeral—none are included in any of the verses even though there are 10 opportunities to give the Spanish números equal billing alongside their English equivalents, a lapse also seen in Thong’s two previous concept books, Round Is a Tortilla (2013) and Green Is a Chile Pepper (2014). It’s an odd choice, as Spanish vocabulary building is a principal focus of the series. There are also incidences of cultural dissonance, as in the spread that counts “Six kinds of salsa / to pour on rice”—an extremely irregular way to serve Mexican rice. The glossary omits the Feast of the Three Kings despite a banner that reads “¡Feliz día de Reyes!” In addition, it reinforces the incorrect Anglicized pronunciation of basic words, indicating, for instance, “NOO-bays” instead of “NOO-behs” (nubes—clouds) and “peen-YAH-tah” instead of the correct “pee-NYAH-tah” (piñata). Diphthongs are ignored altogether: The three-syllable “fee-EHST-ah” is used instead of the correct, two-syllable “FYEHS-tah” (fiesta). Parra’s simple matte characters introduced in the previous titles in this series provide continuity and familiarity.
Despite its flaws, this uneven offering still serves to introduce numbers bilingually. (Picture book. 4-6)Pub Date: March 12, 2019
ISBN: 978-1-4521-5584-5
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.
The Crayons head back to class in this latest series entry.
Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)Pub Date: May 16, 2023
ISBN: 9780593621110
Page Count: 32
Publisher: Philomel
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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