by Roseanne Thong and illustrated by Elisa Kleven ‧ RELEASE DATE: Nov. 1, 2008
Featuring tidbits of children’s folklore from 15 countries, this small collection provides a double-page spread on each custom, starting with a four-line poem followed by a short paragraph giving just enough information for young readers to absorb. The details are wonderfully expressed in Kleven’s jewel-toned mixed-media illustrations, which magically portray children and adults in rural and urban settings that look traditional and contemporary at the same time. From such religious traditions as inserting papers with wishes in Israel’s Wailing Wall to the less formal wish-making of blowing out the birthday candles in the United States, puffing dandelions in Ireland or seeing a single striped weasel in Zulu villages in South Africa, the author and illustrator present a playfulness and a hope for better lives that is contagious. Some details are lacking: There are further explanations of the traditions at the end, but no sources, and a finding game of some lucky symbols is presented without explanation thereof. Still, for pure fun, this will inspire children to try out all of these ways of wishing. (endpaper maps) (Informational picture book. 4-8)
Pub Date: Nov. 1, 2008
ISBN: 978-0-8118-5716-1
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2008
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Michelle Worthington ; illustrated by Joseph Cowman ‧ RELEASE DATE: April 14, 2015
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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