In an effort to imagine the origin of the ancient White Horse of Uffington, cut into a hillside with what she feels to be a magical power, Sutcliff invents Lubrin Dhu, a chief's third son, who is somehow possessed of the true artistic impulse, a need to get into his impermanent drawings the feel and the flight of the birds—or of the horses which are at the center of his people's economy. But invaders from the South, also horse people, conquer their hold, and for the sake of the few of his people who survive the siege, Lubrin makes a bargain with the new chief. He will create the horse on the hillside, and in return his people will be free to move on to other, dreamed-of horse runs further north. Sutcliff refers to Lubrin's work as picture-magic, and though she never suggests any particular beliefs associated with the activity, it is understood by all that Lubrin's own ritual death must be part of the contract. And so Lubrin creates a horse worth dying for, even though he knows that a lesser work would satisfy the one who ordered it. Though Sutcliff has given us more rounded recreations in the past, and here as elsewhere her plot sometimes seems too well made, her vision of an artist simultaneously—in fact, indissolubly—true to his art and to his people is impressively realized.
Pub Date: March 20, 1978
ISBN: 0525404953
Page Count: 111
Publisher: Dutton
Review Posted Online: May 10, 2012
Kirkus Reviews Issue: March 1, 1978
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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