Once more, as in The Light Beyond the Forest (1980) whose events follow these, Sutcliff immerses herself and her readers in the sensibility of the medieval legend. It's a world where unproved heroes ride about inquiring "Good fellow, is there any place near here where adventure is to be had for the asking?" and where a knight of the Round Table is likely in his wanderings to come upon four others gathered under an oak tree. Women, except for Queen Guinevere who stands apart, are cast as damsels in distress or subtle and treacherous enchantresses; honor is worth more than life; and, more so than in The Light Beyond the Forest with its transforming religious superstructure, the primitive Celtic heritage asserts itself through the thin cloak of chivalry. Sutcliff tells us that her version has "followed Malory in the main" but borrowed also from other (specified) earlier sources. The narrative, which takes us from "The Coming of Arthur" (with some mythological-historical background before that) to "The Coming of Percival" shortly before the graft quest featured in The Light Beyond the Forest, includes a very early, alternative version of Tristan and Iseult, a more familiar one of Sir Gawain and the Green Knight, and other Arthurian knightings and romances from Malory. As before, Sutcliff tells them straight, with apparently unswerving and heartfelt conviction.
Pub Date: Sept. 24, 1982
ISBN: 0140371494
Page Count: 270
Publisher: Dutton
Review Posted Online: May 10, 2012
Kirkus Reviews Issue: Sept. 1, 1982
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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