Double trouble finds comic relief
Max and Ruby’s sibling skills are put to the test with the arrival of twins.
Know-it-all Ruby thinks she’s an expert on babies, especially now that her mother is pregnant. She tries to explain to her little brother where babies come from, but mischievous Max knows they come from taxis, as that’s how their cousins arrived. Not to be outdone, Ruby uses her Hannah the Howler doll(an extremely creepy, wide-eyed white human) to show Max how to care for babies. After pressing a button that makes the doll cry, Ruby demonstrates how to feed, diaper, bathe, and put Hannah to bed. But Max considers their efforts finished only when he wakes Hannah up with a final push of her button. Wells’ signature illustrations raise the excitement—and humor—when Mama and Papa bring home not one, but two babies (by taxi, of course!). Piles of laundry and a flurry of adults carrying babies to and fro, day and night realistically depict life with newborn twins. All seems well, albeit busy, until the day nothing makes the babies happy. Not changing their diapers, giving them a bath, or winding up their Vibra-Chairs. Then Max remembers Hannah! Her wailing makes the twins’ crying turn to giggles and, finally, sleep. Youngsters expecting one or more additions to their own families will find warmth and wit here to ease the transition.
Double trouble finds comic relief . (Picture book. 4-8)Pub Date: Oct. 15, 2019
ISBN: 978-1-5344-4365-5
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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