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YOKO’S PAPER CRANES

Origami cranes take metaphoric flight from West to East in this tale of Yoko the kitten’s earnest efforts to maintain a connection to her grandparents in Japan. Yoko’s Obaasan (grandmother) loves the cranes that inhabit her pond in the summer, and her Ojiisan (grandfather) teaches her how to fold paper to make cranes. When Yoko, now removed to the US, needs to send her Obaasan a birthday gift in winter, she sends three origami cranes and a promise that she, too, will soon “come back to Japan, just like the cranes.” Wells’s (Bunny Party, above, etc.) illustrations are utterly gorgeous, incorporating gold leaf and decorated Japanese papers into her trademark paintings of cuddly animals. The scenes in Japan show a distinct Japanese influence, with gloriously foamy, sculptural waves rising out of the ocean. One inspired double-page spread depicts the mail plane winging its way from a pastel California (iconographically identified by skyscrapers, orange groves, palm trees, and a parking lot) to a deliciously snowy Japan, shown simply as a snowy mountain and curling wave towering over a small wooden house on its own island. Given the stunning illustrations, it’s a shame that the story doesn’t hold its own. Well-meaning and earnest, it lacks entirely the humor and warmth of its predecessor, and there is little beauty of language to compensate for the humdrum narrative. Perhaps this can be partly explained by an attempt to emulate the austere Japanese text forms as well as illustration, but even if this is the case, the text as a whole falls depressingly flat. Still, Yoko’s fans will be pleased to see a new story, and may be so dazzled by the illustrations that they will not notice the weaknesses. (Picture book. 3-7)

Pub Date: Sept. 1, 2001

ISBN: 0-7868-0737-7

Page Count: 32

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2001

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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IN THE SKY AT NIGHTTIME

A tender bedtime tale set in a too-seldom-seen northern world.

A quiet book for putting young children to bed in a state of snowy wonder.

The magic of the north comes alive in a picture book featuring Inuit characters. In the sky at nighttime, snow falls fast. / … / In the sky at nighttime, a raven roosts atop a tall building. / … / In the sky at nighttime, a mother’s delicate song to her child arises like a gentle breeze.” With the repetition of the simple, titular refrain, the author envisions what happens in a small town at night: Young children see their breath in the cold; a hunter returns on his snowmobile; the stars dazzle in the night sky. A young mother rocks her baby to sleep with a song and puts the tot down with a trio of stuffed animals: hare, polar bear, seal. The picture book evokes a feeling of peace as the street lamps, northern lights, and moon illuminate the snow. The illustrations are noteworthy for the way they meld the old world with what it looks like to be a modern Indigenous person: A sled dog and fur-lined parkas combine easily with the frame houses, a pickup truck, power lines, and mobile-hung crib. By introducing Indigenous characters in an unremarkably familiar setting, the book reaches children who don’t always see themselves in an everyday context.

A tender bedtime tale set in a too-seldom-seen northern world. (Picture book. 3-5)

Pub Date: Oct. 1, 2019

ISBN: 978-1-77227-238-3

Page Count: 36

Publisher: Inhabit Media

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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