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THE GIRL WHO LOVED POTS

A bracing celebration of creativity with a strong main character who deserves her own series.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017

An exuberant little girl who fancies pots meets a new babysitter in this debut chapter book.

May adores a lot of things: karate, boxing, her stuffed blue bunny named Sunshine, and conversations with her mother. But one of her loves is a bit more surprising: playing with pots (“Her favorites were those that fit on her head”). While other toys get boring, May can embark on endless adventures with these versatile kitchen tools. When Miss Josephine, the new sitter, comes to watch May for the first time, the girl feels afraid. But between the woman’s purple bag—full of fun games and toys that “make you think”—and Miss Josephine’s comforting words and hug when the girl expects to get scolded, May finds a new friend and discovers that using her imagination can help her become smarter. Seay’s delightful computer illustrations frequently use neutral backgrounds, which cause the colorful pots and May’s bright clothes to stand out. The all-black cast is headed by May, a charming youngster (likely between the ages of 4 and 6) with curly dark hair, whose facial expressions communicate a wide range of emotions within the work’s artistic style. The approachable vocabulary and early-chapter-book format—with images on every page—make this an accessible and appealing story for young readers, especially those who have struggled with their own fears of being left with strangers.

A bracing celebration of creativity with a strong main character who deserves her own series.

Pub Date: April 28, 2017

ISBN: 978-0-9985576-0-1

Page Count: 32

Publisher: PicBooks Publishing

Review Posted Online: Oct. 17, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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