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THE VERY IMPATIENT CATERPILLAR

An object lesson in the value of patience as well as a droll introduction to meta-what-now.

Not every caterpillar gets the memo—or is, for that matter, temperamentally suited to spending two weeks immobilized in a chrysalis.

Seeing everyone headed up a tree (“We’re going to metamorphosize.” “Meta-WHAT-now?”) a clueless caterpillar hurries to follow. Despite the promise of a dazzling transformation, every step in the natural process, from spinning a chrysalis on, is an occasion for histrionic dismay (“It’s STILL Day 1?” “This is taking FOR-EV-ER!”). Gradually, though, the pop-eyed pupa’s kvetching quiets, the moans and groans turn to meditation (“Be one with the chrysalis”), and two weeks later: “I did it! I’m a BUTTERFLY!” Burach chronicles this miracle of nature in cartoon scenes as loud as the rapid patter, culminating in a migratory flight of butterflies and a final “ARE WE THERE YET?!” that hints at a character transformation that’s perhaps less complete than the physical one. It won’t be just adults chuckling at the interactions between the title character and its patiently pupating companions; all the characters speak in dialogue balloons, the protagonist’s green with purple text to match its chrysalis.

An object lesson in the value of patience as well as a droll introduction to meta-what-now. (Picture book. 5-7)

Pub Date: Feb. 26, 2019

ISBN: 978-1-338-28941-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: Sept. 16, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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