The details delight—but not the diversity.
In the imaginary city of Bustletown, every season brings new adventures.
As she did in series opener Winter (2019), Berner traces a set of recurring characters through seven two-page spreads: an apartment complex where many of the characters live; a farm-lined road leading to town; a train station; a neighborhood that includes a church, a kindergarten, and a cultural center; a downtown marketplace; a shopping mall; and a park. Readers of this title and its two seasonally publishing companions, Summer (Apr. 21) and Fall (Jul. 21), will see each setting develop with the seasons. The kindergarten, for example, goes from a patch of dirt to a fully functional building. In the outdoor marketplace, a family of storks builds a nest, hatches eggs, and migrates to warmer climes. In addition to these changes, each book features the town uniquely decorated for typical Western European holidays associated with each season (this is a German import). In the spring the cultural center is hung with Easter eggs; in the fall it hosts a pumpkin-carving contest. Each title is brilliantly detailed, and the consistency among them allows readers to imagine stories both within each volume and between them. Bustletown seems to be a mostly white community, and the few characters of color within—such as Santosh from India—dress in ethnic clothing, implying that they are visitors.
The details delight—but not the diversity. (Board book. 3-6)Pub Date: Feb. 18, 2020
ISBN: 978-3-7913-7409-3
Page Count: 14
Publisher: Prestel
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 15, 2020
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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