An intense, unsparingly honest portrait of childhood crisis and its enduring aftermath.
A heart-rending debut memoir from the outspoken feminist and essayist.
Gay (Bad Feminist, 2014, etc.) pulls no punches in declaring that her story is devoid of “any powerful insight into what it takes to overcome an unruly body and unruly appetites.” Rather than a success story, it depicts the author, at 42, still in the throes of a lifelong struggle with the fallout from a harrowing violation in her youth. The author exposes the personal demons haunting her life—namely weight and trauma—which she deems “the ugliest, weakest, barest parts of me.” Much of her inner turmoil sprang from a devastating gang rape at age 12. “I ate and ate and ate in the hopes that if I made myself big, my body would be safe,” she writes. Gay painfully recalls the “lost years” of her reckless 20s as a time when food, the anonymity of the internet, and creative writing became escapes and balms for loneliness. The author refers to her body as a “cage” in which she has become trapped, but her obesity also presents itself as a personal challenge to overcome the paralyzing psychological damage caused by rape. Broken into clipped, emotionally resonant chapters, Gay details a personal life spent grappling with the comfort of food, body hyperconsciousness, shame, and self-loathing. Throughout, the author is rightfully opinionated, sharply criticizing the media’s stereotypical portrayal of obesity and Oprah Winfrey’s contradictory dieting messages. She is just as engaging when discussing her bisexuality and her adoration for Ina Garten, who taught her “that a woman can be plump and pleasant and absolutely in love with food.” Gay clearly understands the dynamics of dieting and exercise and the frustrations of eating disorders, but she also is keenly in touch with the fact that there are many who feel she is fine just as she is. The author continues her healing return from brokenness and offers hope for others struggling with weight, sexual trauma, or bodily shame.
An intense, unsparingly honest portrait of childhood crisis and its enduring aftermath.Pub Date: June 13, 2017
ISBN: 978-0-06-236259-9
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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