Fierce and informed riffs on current events and enduring challenges.
Essays, op-eds, and pop-culture pieces from the acclaimed novelist and memoirist.
The decision by the New York Times to hire Gay as an opinion writer in 2014 was a no-brainer: She has a gift for clean, well-ordered prose, and strong feelings on matters of race, gender, and sexuality. Most important, she possesses a fearlessness essential to doing the job right; though she can observe an issue from various angles, she never wrings her hands or delivers milquetoast commentaries. As she writes in the introduction, “On the page, I get to be the boldest, most audacious version of myself.” According to the author, police officers shouldn’t march in pride parades, and Louis C.K. isn’t owed a second chance. To Kill a Mockingbird is overrated, and Dylann Roof, the white supremacist who killed nine black churchgoers in 2015, doesn’t deserve the forgiveness the victims’ families gave him. Planted firmly on the left, Gay's thoughts on Trump, #metoo, and Black Lives Matter are predictable, but they are engaging in their ferocity all the same. That’s partly because she comes to her opinions more out of empathy than ideology, which is why she’s also served well as an advice columnist for the Times (a few examples of her columns are included). Like any op-ed writer, she sometimes contradicts herself. For example, a piece explaining her refusal to sign a petition condemning a TV show because “creators are allowed to make bad, irresponsible, problematic art” follows a piece arguing the Roseanne reboot shouldn’t have been made. Mostly, however, Gay is consistent, and the squishiness is relegated to puff pieces profiling Madonna, Janelle Monáe, Tessa Thompson, and others. The author may spit fire in her essays, but even she can’t penetrate the PR armor in which Nicki Minaj has encased herself.
Fierce and informed riffs on current events and enduring challenges.Pub Date: Oct. 10, 2023
ISBN: 9780063341463
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 3, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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