Next book

THE PORTABLE FEMINIST READER

A timely, spirited collection.

A compendium of feminist perspectives.

Essayist, memoirist, and fiction writer Gay represents the history, scope, and challenges of feminism in a judicious selection of 65 pieces, some written by iconic feminist writers (bell hooks, Audre Lorde, Susan B. Anthony), others by collectives, and still others by lesser-known voices. Citing “dynamism” as her guiding principle, Gay has chosen works that are articulate, diverse, and hard-hitting. “I believe there is a feminist canon,” Gay writes, “one that is subjective and always evolving, but also representative of a long, rich tradition of feminist scholarship.” The pieces are grouped into eight thematic sections. Foundational texts include a statement of guiding principles for the 2017 Women’s March; early feminist texts begin with 16th-century scholar Henricus Cornelius Agrippa’s defense of women’s superiority and includes Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Anthony’s argument for women’s right to vote. Other well-known pieces include Judy Brady’s wry “I Want a Wife,” a 1970 essay reprinted in the first issue of Ms. magazine; Rebecca Solnit’s “Men Explain Things to Me”; and Gloria Steinem’s “If Men Could Menstruate.” There are also fresh surprises: “The Woman-Identified Woman,” a manifesto written by six women calling themselves Radicalesbians, argues that lesbianism is central to feminist politics “as an identity of political, cultural, and erotic resistance to patriarchy.” In “Girl,” novelist Alexander Chee reflects on gender fluidity, remembering being mistaken for a girl when he was growing up and revealing the beauty he finds when he puts on drag. With its capacious perspective, the collection speaks to a range of feminist concerns, past, present, and future. As Gay notes, “women’s bodies, movements, and choices are contingent on the whims of men in power. We have made progress but we are not yet free.”

A timely, spirited collection.

Pub Date: March 25, 2025

ISBN: 9780143110392

Page Count: 672

Publisher: Penguin Classics

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

Next book

DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 62


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 62


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview