by Rüdiger Safranski ‧ RELEASE DATE: April 15, 1998
The author sheds light on the varieties of darkness that shade the life and thought of, arguably, Germany's most influential 20th-century philosopher. Safranski (Schopenhauer and the Wild Years of Philosophy, not reviewed) presents Heidegger in the context of what Osers, the book's translator, so brilliantly calls ``that German specialty for extravagant wretchedness.'' More than most German philosophers, Heidegger, in quest of Being, pushes to the brink of incomprehensibility. The author comforts us with the knowledge that even so distinguished a friend of Heidegger's as Karl Jaspers, missed what Heidegger meant by ``Being.'' But the darkness of incomprehension was itself a principle of Heidegger's thought. Instead of the active, determining mind that Kant had posited, Heidegger found an intractable resistance to human reason—Being itself—of which we first become aware in amazement over the sheer fact that anything exists at all. We do not so much shape the world as find ourselves ``being there,'' or in German, Dasein. Against this cognitive darkness, Safranski sets the moral obscurity of Heidegger's Nazi involvement and tries to unravel the connections there between the philosopher's thought and life. The picture that emerges is, appropriately, darkly unfocused. When Safranski observes at the end of his book that Heidegger's ``brusqueness and severity'' mellowed with age, readers will wonder whether they've missed something: Brusqueness is already too defined a quality for what Hannah Arendt called Heidegger's ``lack of character, in the sense that he literally has none, certainly not a particularly bad one.'' Safranski suggests that the real Heidegger hovers between two self-portraits: modern tower of philosophy and modest attendant in the museum of philosophy's history, taking care that the works on display there are properly illuminated. Safranski's own take—both critical and appreciative—on Heidegger mirrors the complexity of his subject, and provides a welcome entrÇe to a difficult thought world.
Pub Date: April 15, 1998
ISBN: 0-674-38709-0
Page Count: 480
Publisher: Harvard Univ.
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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by Rüdiger Safranski translated by David Dollenmayer
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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