by Rudyard Kipling & illustrated by John A. Rowe ‧ RELEASE DATE: April 1, 1995
One of Kipling's best beloved from his Just So Stories (various editions), which explains how the elephant got his trunk, with somewhat enigmatic acrylic illustrations. The layout is rather plain: text on the lefthand side, pictures on the right. The still illustrations, executed in deep, heavy colors, follow the story very loosely. Often, they are representations of almost abstract shapes (rocks or animals), seen from odd angles (from above, from behind a rock), usually against a monolithic and indeterminate background. Appropriately, the artist makes use of a narrow perspective, offering readers glimpses of only part of the elephant's child, never the whole: his back, the top of his head, his trunk. The shadowy world depicted here also features strange little animals, skulls and bones, and scribbles that look like cave paintings; the atmosphere in these static pictures is lonely and mute. There is something mysterious about them, due to their undefined settings and abstract composition; their relationship to the text is never spelled out. They are more likely to appeal to adults than the picture book crowd; as usual, the text is required reading for everybody. (Picture book/folklore. 5-8)
Pub Date: April 1, 1995
ISBN: 1-55858-369-6
Page Count: 28
Publisher: NorthSouth
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 1995
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adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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by Megan McDonald & illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 13, 2012
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Megan McDonald ; illustrated by Peter H. Reynolds
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