The story is rather violent by current standards, but the accomplished visuals in this edition serve its rich, resonant...
Painterly portraits of African wildlife add naturalistic notes to this ever popular Just So story.
“In the High and Far-off Times the Elephant, O Best Beloved, had no trunk.” Except that the much-spanked pachyderm’s “ ’satiable curtiosity” has inexplicably been changed throughout to “ ’satiable curiosity,” the text with its glorious wordplay is, like the storyline, intact. Lauströer leaves backgrounds sketchy but lavishes attention on his animals—all of which are dark, solid, massive figures, depicted realistically enough to be practically smellable. Sometimes he follows the storyline literally, even putting into the scene accompanying the short-nosed young enquirer’s first impression of the crocodile a rather predatory-looking tree trunk. Elsewhere he lets fancy fly, festooning the tail of an ostrich with daisies, for instance, and transforming the white pattern on a giraffe into a loose net in which the lively Elephant’s Child is tangled. In the wake of the return of Elephant’s Child with a long trunk just right for meting out corporal punishment of his own, all of his relatives rush off to “borrow” new noses from Crocodile, and their return parade sporting stretched-out schnozzes (even the zebra and wildebeest) caps the pictures in droll style.
The story is rather violent by current standards, but the accomplished visuals in this edition serve its rich, resonant language nicely. (Picture book. 6-9)Pub Date: Nov. 1, 2018
ISBN: 978-988-8341-67-2
Page Count: 64
Publisher: minedition
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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