Terrific characters, rich worldbuilding, deep thoughts about fiction and morality, a love story, and a happy ending.
A college freshman finds out that everyone was right: Her decision to have her English professor’s baby really does ruin her life. Until it doesn’t.
“I’d learned about the terms first person, third person, and second person in high school, and I’d thought that was all there was to point of view until I met Bodhi’s father in the fall of 2017.” Not for nothing does Margo’s journey into motherhood begin in English class, as she switches back and forth between third and first all the way through the book, using third for distance from her cringier mistakes. The elevator pitch for Thorpe’s fourth novel—as exuberant as the first three—is Tomorrow and Tomorrow and Tomorrow with online porn instead of video games. Really! It’s a story of friendship, love, and family set in a different part of the big world of cyber-storytelling. Shortly after Bodhi is born, Margo finds she can’t afford the child care necessary to hold on to her waitressing job. Then two of her three roommates move out in response to infant wailing, and she has to find a source of income fast. She ends up posting pictures on OnlyFans, a subscription-based porn site. “Lonely, hot girl in financial freefall, please help me make rent this month....If you want to find out what Pokémon your dick most resembles and what attacks it might have, send me a $20 tip and I’ll provide a full write-up.” Turns out she is very good at this. Further help with the rent comes when her father, Jinx, a wrestling world icon, comes fresh from rehab to move in and help her with the baby, and then she reaches out to OnlyFans viral stars WangMangler and SucculentRose, who have much to teach. Just as she’s beginning to get it together, the English teacher does a complete 180—instead of wanting nothing to do with Bodhi, he’s now demanding full custody. The title is the only bad thing about this book.
Terrific characters, rich worldbuilding, deep thoughts about fiction and morality, a love story, and a happy ending.Pub Date: June 11, 2024
ISBN: 9780063356580
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: yesterday
Kirkus Reviews Issue: Aug. 1, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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