Cements Alam’s status as a talented truth-teller willing to tackle tough issues with grace, generosity, and sensitivity.
A billionaire philanthropist’s ambitious young protégé wants her slice of the pie.
Whereas Alam’s previous book, Leave the World Behind (2020)—a National Book Award finalist and the basis for a Netflix film—focused on cataclysmic external threats, his new novel explores a threat from within: ambition. Or maybe that’s not quite right, because the blinding ambition of Alam’s protagonist, Brooke Orr, a Vassar-educated Black woman raised in New York City by a mission-driven white mother, is shaped by the world in which she finds herself and is propelled by its inequities. After years in an unrewarding teaching job at a Bronx charter school, Brooke, 33, takes a job as a program coordinator at 83-year-old white billionaire Asher Jaffee’s charitable foundation and is embraced as his protégé. But once Brooke has been welcomed into Asher’s place of privilege, she believes she is entitled to all it can provide: the designer clothes, the fancy meals, a space to call her own, and, more than anything, the power to change lives, to save souls. As Brooke makes increasingly ill-advised decisions, the tension slowly and compellingly builds toward a dizzying conclusion that feels both surprising and inevitable. Here, as always, Alam’s facility for vividly setting a scene or finding just the right detail or metaphor, his ability to journey inside the minds and emotions of a range of people, and his willingness to unflinchingly and insightfully address issues of race, class, gender, and age are on full display. An exploration of the ways that access or proximity to money can dramatically shift perspective and skew purpose, identity, and behavior, the novel considers a question central to today’s America: If money equals freedom, what does that mean for people who don’t have it?
Cements Alam’s status as a talented truth-teller willing to tackle tough issues with grace, generosity, and sensitivity.Pub Date: Sept. 17, 2024
ISBN: 9780593718469
Page Count: 288
Publisher: Riverhead
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
PERSPECTIVES
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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