by Russell Freedman ‧ RELEASE DATE: April 15, 1969
Kids will learn How Animals Learn from this cogent presentation—everything from Pavlov to problem-solving, well illustrated with photographs and diagrams (even some elementary line graphs) and salted with projects for home testing. Instinctual behavior is distinguished from different areas of learning—habituation, association, imitation, practice (but not motor skills per se). Intelligence is defined as "the ability to change behavior as a result of experience"; the authors point out, however, that intelligence is ultimately tested in the animal's ability to learn "things important to his way of life" rather than in lab test situations and that rats are especially suited to experiments because "they normally live in dark, narrow passageways that resemble lab mazes." Lorenz and imprinting, Pavlov and conditioning, Thorndike, Skinner and puzzle boxes are carefully examined and other significant research (Kohler, Krushinsky), is also reported. The chapter "Animal Tricks and Training" describes much of the entertainment-oriented Brelands' work and includes tips for shaping behavior. No reference to Piaget's work with human animals but there is a chapter on "A Time to Learn" which implicates developmental stages. As discerning as Kay's How Smart Are Animals, emphasizing learning types rather than the representative animals, and avoiding some psych class labels (generalization, discrimination), which may make this more accessible to more (and younger) readers.
Pub Date: April 15, 1969
ISBN: N/A
Page Count: -
Publisher: Holiday House
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: April 1, 1969
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by Tiffany Jewell ; illustrated by Aurélia Durand ‧ RELEASE DATE: Jan. 7, 2020
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A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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by Tiffany Jewell ; illustrated by Nicole Miles
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by Alyssa Bermudez ; illustrated by Alyssa Bermudez ‧ RELEASE DATE: Aug. 17, 2021
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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