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SHEILA SAYS WE'RE WEIRD

Regarding the responses of his little sister’s friend (see title) with amusement, the big-brother narrator models green...

Right along with a nosy young neighbor, children get an eyeful of a family’s sustainable lifestyle.

Regarding the responses of his little sister’s friend (see title) with amusement, the big-brother narrator models green living. He helps his parents plant a backyard garden and carry fresh produce from a farmers’ market rather than going to the grocery store. The family cuts the lawn with a hand mower, they hang up the wash rather than chucking it into a drier, they heat the family room with a wood stove and cool it with a ceiling fan rather than using more energy-intensive appliances. Looking skeptical but plainly beguiled, red-haired Sheila takes it all in, just as readers will. Smalley never delivers an explicit message here, and by showing rather than telling, she makes these practices look all the more appealing and doable—idealized though they are in Emery’s painted views of lush gardens, cozy indoor scenes and hardworking but ever-smiling adults and children.

Pub Date: July 1, 2011

ISBN: 978-0-88448-326-7

Page Count: 32

Publisher: Tilbury House

Review Posted Online: June 20, 2011

Kirkus Reviews Issue: June 15, 2011

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TOUCH THE EARTH

From the Julian Lennon White Feather Flier Adventure series , Vol. 1

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...

A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.

Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)

Pub Date: April 11, 2017

ISBN: 978-1-5107-2083-1

Page Count: 40

Publisher: Sky Pony Press

Review Posted Online: Feb. 3, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE HONEYBEE

Readers (and listeners) will think that this book is the bee’s knees.

Children will be buzzing to learn more about honeybees after reading this story.

Hall takes her readers on a sunny romp through a springtime pasture abuzz with friendly honeybees in this bright and cheerful picture book. Hall’s rhyme scheme is inviting and mirrors the staccato sounds of a bee buzzing. At times, however, meaning seems to take a back seat to the rhyme. The bees are suggested to “tap” while flying, a noise that adult readers might have trouble explaining to curious listeners. Later, the “hill” the bees return to may elicit further questions, as this point is not addressed textually or visually. Minor quibbles aside, the vocabulary is on-point as the bees demonstrate the various stages of nectar collection and honey creation. Arsenault’s illustrations, a combination of ink, gouache, graphite, and colored pencil, are energetic and cheerful. Extra points should be awarded for properly illustrating a natural honeybee hive (as opposed to the often depicted wasp nest). The expressive bees are also well-done. Their faces are welcoming, but their sharp noses hint at the stingers that may be lurking behind them. Hall’s ending note to readers will be appreciated by adults but will require their interpretation to be accessible to children. A sensible choice for read-alouds and STEAM programs.

Readers (and listeners) will think that this book is the bee’s knees. (Picture book. 6-8)

Pub Date: May 8, 2018

ISBN: 978-1-4814-6997-5

Page Count: 48

Publisher: Atheneum

Review Posted Online: March 17, 2018

Kirkus Reviews Issue: April 1, 2018

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