A key figure in rhythm and blues looks back on her turbulent past with the help of film journalist Yule (The Man Who ``Framed'' the Beatles, 1994, etc.). Ruth Brown, born in 1928, was the oldest of seven kids, raised in Portsmouth, Va., by her mother, a domestic, and her father, a day laborer. From childhood she harbored dreams of being a professional singer, dreams that her religious but hard-drinking father adamantly opposed. In adolescence, Brown managed to begin a singing career on the sly, even sneaking off to New York, where she won the talent contest at the Apollo Theater's legendary amateur night. But until she met Blanche Calloway (Cab's sister and an ex-bandleader in her own right), who gave her some polish and poise, her career was going nowhere. Calloway hooked her up with Atlantic Records, then a nascent firm specializing in ``race'' records. Atlantic would become known over the next several years as the ``House that Ruth Brown built,'' as she landed one hit R&B number after another. In the meanwhile, she suffered from a succession of faithless husbands, the aftereffects of a car accident that broke both her legs in several places, and finally, a classical '50s suburban marriage that brought her career to a halt for several years. Much of the second half of the book is taken up with her lengthy battle with Atlantic to get a fair share of the money she had helped the company earn in the 1950s, counterposed with her comeback in the 1980s, which was climaxed by a Tony Award for her role in the Broadway show Black and Blue. Brown's ultimately successful battle to win monetary justice for herself and other aging R&B stars and her startling recollections of traveling throught the segregated South lift this above the usual run of show-biz bios. (photos, not seen)
Pub Date: Feb. 22, 1996
ISBN: 1-55611-486-9
Page Count: 384
Publisher: Donald Fine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1995
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
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