by Ruth Brown & illustrated by Ruth Brown ‧ RELEASE DATE: March 1, 1997
Gloopy, gloppy, bumpy, and lumpy: Toads provide slews of onomatopoeic opportunities for writers, and plenty of potential for artists interested in drawing warts, slime, and muck. Brown (One Stormy Night, 1993, etc.) is perfect for the task. Her text exaggerates the poor toad's noxious qualities (``odorous, oozing, foul and filthy''), denigrates his cuisine of bugs, worms, and flies, and mocks his clumsy hop. When a monster appears on the scene and attempts to gobble up the toad, readers realize just what the bumps and venom are for. ``Yuuuuuck!'' screams the monster, coughing ``the happy toad, the safe toad'' back into the swamp. Brown's paintings drip with the brown and olive colors of decaying vegetation and fetid swamp stuff. She incorporates that medium's tendency to drip and glop right into her work: Splats of paint cross the toad's bumpy back, while green webbed footprints splash across the title pages. Observant readers will spot the approaching monster long before toad does, heightening the anticipation of the inevitable—though failed—tryst. The endpapers match the amphibious decor, displaying a brocade of frog eggs. Exquisitely slimy. (Picture book. 3-6)
Pub Date: March 1, 1997
ISBN: 0-525-45757-7
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1996
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Jerry Spinelli and illustrated by Jimmy Liao ‧ RELEASE DATE: March 1, 2010
A young boy wonders aloud to a rabbit friend what he will be when he grows up and imagines some outrageous choices. “Puddle stomper,” “bubble gum popper,” “mixing-bowl licker,” “baby-sis soother” are just some of the 24 inspiringly creative vocations Spinelli’s young dreamer envisions in this pithy rhymed account. Aided by Liao’s cleverly integrated full-bleed mixed-media illustrations, which radiate every hue of the rainbow, and dynamic typesetting with words that swoop and dive, the author’s perspective on this adult-inspired question yields some refreshingly child-oriented answers. Given such an irresistible array of options—“So many jobs! / They’re all such fun”—the boy in the end decides, in an exuberant double gatefold, “I’m going to choose… / EVERY ONE!”—a conclusion befitting a generation expected to have more than six careers each. Without parents or peers around to corral this carefree child’s dreams, the possibilities of being whatever one wants appear both limitless and attainable. An inspired take on a timeless question. (Picture book. 3-6)
Pub Date: March 1, 2010
ISBN: 978-0-316-16226-5
Page Count: 32
Publisher: Little, Brown
Review Posted Online: April 14, 2011
Kirkus Reviews Issue: Jan. 1, 2010
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by Jerry Spinelli ; illustrated by Larry Day
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