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YOU ARE PART OF THE WONDER

A lovely invitation to children to see themselves as part of the larger world around them.

Children are encouraged to get outside and take it all in.

Nature is a wondrous thing, and children are integral components of it. This lyrical, rhyming picture book depicts racially diverse youngsters closely observing, interacting with, and marveling at nature and its various inhabitants. As Doyle directly addresses readers, she uses language delightfully, playfully employing pleasing consonant sounds. She also exhorts kids to experience the natural world for themselves—“Watch ants work and play.” “Taste berries warm and sweet.” “Feel the tickles of tadpoles / as the stream cools your feet.” The author also shares the comforting idea that nature can help children cast off their troubles (“Throw your cares to the wind / and whisper a wish”) or can offer inspirational musings: “The sky doesn’t care how you look, what you wear. / The wind whispers, ‘You’re perfect’ / and ruffles your hair.” What a warm, gentle, and vital message this U.K. import radiates as it tells kids to “fly!” and how wonderful for children to feel embraced by nature at all times, day and night, in all seasons, and in all kinds of weather. The verses scan well, and the illustrations are enchanting—soft and delicate and full of captivating natural colors.

A lovely invitation to children to see themselves as part of the larger world around them. (Picture book. 4-8)

Pub Date: Feb. 13, 2024

ISBN: 9781499814903

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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