by Ruth Hubbard with Elijah Wald ‧ RELEASE DATE: May 3, 1993
Harvard biologist and feminist Hubbard and her son (as well as her Nobel laureate husband, George Wald) have long championed the antibiotechnology cause, raising the specter of genetic determinism, eugenics, and social control (read ``fascism'') that they see as imminent in genetics research. Their point of view is that of old-fashioned liberals, winning praise from the Richard Lewontins, Barry Commoners, Ralph Naders, and other defenders of the common man (and woman) and the natural environment against government bureaucrats, scientific reductionists, and others viewed as profiteers or manipulators and exploiters of humankind. In so doing, the authors serve a corrective function, offering the kind of countervailing sensibility that's so important in a democratic society. But, here, they go too far in their zeal, discounting the value of much genetics research and of the human genome project in particular. Certainly, we need safeguards regarding the collection and use of genetic data to prevent discrimination and abuses in education, employment, and insurance, as well as to prevent gene testing for such arbitrary purposes as sex selection and so on. But to deny the importance of genetic research in finding clues to development and aging, plus the causes and cures of disease, is to throw the baby out with the bathwater. Interestingly, in contrast to Andrew Kimbrell in The Human Body Shop (reviewed below), Hubbard and Wald disavow claims that genes have been (or will be) discovered for intelligence, homosexuality, alcoholism, etc.; meanwhile, Kimbrell acts as though such putative genes will determine how we select offspring in the future. The moral of the story is that the pendulum swings both ways, but the truth lies somewhere in the middle. (Seven illustrations)
Pub Date: May 3, 1993
ISBN: 0-8070-0418-9
Page Count: 224
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
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by Ruth Hubbard
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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