Fun to read aloud, as well as offering clever encouragement to think outside the linguistic box.
In the same vein as the droll old bit of nonsense “Master of All Masters,” Rocha’s 1976 tale, newly translated for English-speaking readers, features a lad who insists on using his own fanciful vocabulary.
After asking his puzzled but indulgent parents how a table, a ball, and other items got their names, Marcelo is unsatisfied by their answers and instead decides to come up with his own words. So it is, unfortunately, that when he rushes in, declaring, “Barky’s dogstayer blastflamed,” no one understands until too late that the doghouse is on fire. The story was originally written in Portuguese, and this version is a real tour de force for translator Goldfajn. Not only is the narrative peppered with original coinages that make sense (of a sort) in English, but it’s also infused with general wordplay: “And why, in this Latin language, is a table not called a chair, and a chair is not called hair, and hair is not called bear?” Rather than taking a calamitous turn, the story has a warm feel as Marcelo’s parents take their son’s quirks in stride, just doing their best to keep up with his pronouncements. Matsusaki’s illustrations, also new, underscore the episode’s more surreal aspects by incorporating snipped-out fragments of photos into each scene, including depictions of faces and hands; several figures, among them Marcelo and his mother, have darker skin than others.
Fun to read aloud, as well as offering clever encouragement to think outside the linguistic box. (Picture book. 6-9)Pub Date: June 11, 2024
ISBN: 9781734783995
Page Count: 40
Publisher: Tapioca Stories
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
BOOK REVIEW
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Appealing for entertainers and those who would rather just listen.
What is the point of reading a book aloud?
Greenfield and Lowery’s latest work of metafiction—after I Don’t Want To Read This Book (2021) and This Book Is Not a Present (2022)—features an agitated unseen narrator objecting to the idea of reading a book aloud: “It’s dopey words like aloud that make me want to remain asilent.” The rambling and occasionally digressive complaint provides an excellent canvas for Lowery’s energetic, hand-drawn typography and whimsical, charmingly silly drawings. Nearly every word is in capitals and gets its own color, size, or blocky 3-D rendering, resulting in a set of stage directions for a reader’s voice, graphically indicating pacing and emphasis. The detours from the cranky harangue are amusing. The narrator literally addresses “the elephant in the room”—“Hello, Elephant!”—and a few pages later focuses on the possibility that a word like aplomb could show up. The elephant offers a helpful definition of aplomb with, well, aplomb. Concerns about the pitfalls of performance are at the heart of this monologue. At one point the narrator’s worries (“I mean, what if I lose my place?...What am I supposed to do then? START OVER?”) are itemized on the verso and repeated on the recto. The audience will possibly find this hilarious. The sly paradox, of course, is that the reading aloud of this metatextual discourse contradicts the narrator’s avowed aversion to doing so and does it with panache. (This book was reviewed digitally.)
Appealing for entertainers and those who would rather just listen. (Picture book. 6-9)Pub Date: Sept. 19, 2023
ISBN: 9780593616581
Page Count: 40
Publisher: Putnam
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
BOOK REVIEW
BOOK REVIEW
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