Cancel your plans for the weekend when you sit down with this book, because you won’t want to move until it’s over.
Suspense queen Ware's (The Woman in Cabin 10, 2016, etc.) third novel in three years introduces four women who have been carrying a terrible secret since their boarding school days, a secret that is about to be literally unearthed.
Isa Wilde, happy in her life as a new mother, receives a text one morning that simply reads, I need you, and hours later, she boards a train bound for the coastal village of Salten with her infant daughter in tow. She has come at her friend Kate’s summons, and soon they are joined by two other women who received the same text, Thea and Fatima. Fifteen years earlier, all four were best friends at Salten House, sneaking off campus on the weekends to spend time with Kate’s father, an art teacher, and her handsome, mysterious brother, Luc. Their school days ended in tragedy and scandal, however, and the four haven’t been back to Salten since they were expelled. Now, a bone has been found in the marshes, and Kate has called the others back in a panic. They know more about the body than they should, but even they don’t know the truth. Ware’s third outing is just as full of psychological suspense as her earlier books, but there is a quietness about this one, a slower unraveling of tension and fear, that elevates it above her others. Though there's still a fair dash of drama, it doesn’t veer into the realm of melodrama, developing consistently with the characters and with their personalities and pasts. Isa is a sympathetic narrative voice though her obsession with the concerns of new parenthood may put some readers off.
Cancel your plans for the weekend when you sit down with this book, because you won’t want to move until it’s over.Pub Date: July 25, 2017
ISBN: 978-1-5011-5600-7
Page Count: 384
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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