“Seems pretty cool!” according to a high school sophomore, surely the target market for these high jinks.
Dude! You won’t believe this! An interactive novel updates the world’s most awesome romance with new characters, plotlines, slang, puzzles, illustrations, and a cookie recipe.
The best way to explain how this “choose your own path” rendition of Shakespeare’s hoary old play works is to show you. This, for example, is section No. 155: “You look up to the balcony. A light is on inside! 'But soft, what light through yonder window breaks?' you whisper.…A naked old dude steps out from the light onto the balcony.…His naughty bits are dangling in the breeze....'AW GROSS, I THINK THAT’S HER DAD,' you say, moving away to investigate another balcony. 'NICE WEEN THOUGH.' " Then you choose one of these options: “Examine the nearby stone balcony: turn to 109” or “Examine some other balcony instead: turn to 167." If you choose 109, you’ll be seeing a wrinkled old lady in a nightgown—her mom. If you choose 167, you’ll find the superhot mega-babe you met at that party last night. Then you make another choice, and so it goes, flipping back and forth through the book, until you come to one of more than a hundred different endings, each featuring an illustration by a dream team of cartoonists. You can choose to be Romeo or Juliet—TEAM MONTAGUE or TEAM CAPULET—and depending on your choices, you may go to brunch with Benvolio at The Merchant of Breakfast, visit Ophelia in Denmark, or trade dumb sex puns with Mercutio…and you don’t necessarily have to die in the end! One of the options is to actually become Juliet’s glove—though sadly, “gloves are not capable of sentient thought.” North, who funded the first of these books (To Be or Not To Be, 2013) with a Kickstarter, has scattered the entire text of the play among the 474 numbered sections.
“Seems pretty cool!” according to a high school sophomore, surely the target market for these high jinks.Pub Date: June 7, 2016
ISBN: 978-1-101-98330-0
Page Count: 400
Publisher: Riverhead
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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