While not as riotously funny as Penelope’s debut, it comes with a much more meaningful message.
Having learned We Don’t Eat Our Classmates(2018), Penelope the T. rex is now trying to rock them…in the school talent show.
Even though she’s the only T. rex in the school, Penelope at times feels overlooked. The other, human kids typecast her as the dinosaur in all their pretend play, but Penelope’s so much more: She reads and draws, and she longs to share her rock-’n’-roll music with her classmates. But the first day of rehearsal—a day of elation, excitement, and plans—leads to disappointment and self-doubt. Her father’s pep talk helps her remember she is much more than just the T. rex everyone sees. And the next day, as she’s gathering her courage—Walter’s fishbowl is next to the sign-up sheet (readers of the previous title will get it)—some classmates ask to join her band, which is just the push she needs. Higgins perfectly captures Penelope’s seesawing emotions, the highest highs and the lowest lows. The school is one of the most diverse found in picture books, with kids of all skin colors and ethnicities, several girls in hijab, a boy in a kippah, and kids using forearm crutches and a wheelchair. Hopefully the endpapers will serve as springboards for readers to declare and illustrate their own talents.
While not as riotously funny as Penelope’s debut, it comes with a much more meaningful message. (Picture book. 4-8)Pub Date: July 21, 2020
ISBN: 978-1-368-05959-6
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: May 16, 2020
Kirkus Reviews Issue: June 1, 2020
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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