by Salina Yoon ; illustrated by Salina Yoon ‧ RELEASE DATE: Jan. 6, 2015
Youngsters will empathize with Bear and derive comfort from the loving togetherness his family displays while keeping the...
Bear and Floppy of Found fame (2014) are back to soothe little fears.
A storm is noisily disrupting Bear’s attempt to sleep, and Floppy isn’t doing too well, either. Thunder rumbles, and Bear dives under the bed with Floppy. Mama comes into his bedroom under the pretense of needing comfort herself. Papa, looking uncertain, also needs Bear to help him through the storm. Bear is happy to oblige both of them. After a particularly loud boom, Mama and Papa return the favor and kiss Bear’s nose and tickle his ear. The storm eventually quiets, and all end up cuddled together in Bear’s bed. The refrain, “Bear felt better,” is repeated throughout the story as Mama and Papa use different strategies to help Bear overcome his anxiety. Readers will appreciate the graduating reassurances that range from self-soothing to group hugs. The ditty used by both Bear and his parents is hampered by faulty meter, a minor weak point: “I’ll hold you tight. I’ll keep you warm. / My love will keep you safe from the storm.” Yoon’s familiar digitized art evokes the texture of pastel crayons outlined in heavy black. Bear’s emotions are displayed to good effect with simple tweaks of eye and mouth positions.
Youngsters will empathize with Bear and derive comfort from the loving togetherness his family displays while keeping the storm at bay. (Picture book. 3-6)Pub Date: Jan. 6, 2015
ISBN: 978-0-8027-3780-9
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Oct. 21, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Terry Border ; illustrated by Terry Border ‧ RELEASE DATE: July 29, 2014
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...
The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.
Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)Pub Date: July 29, 2014
ISBN: 978-0-399-16773-7
Page Count: 32
Publisher: Philomel
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
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