Despite intentions, this tale never connects past to present, resulting in a book with a message but no resonance.
Standish Treadwell, 15, has lost parents, neighbors, best friend: All disappeared from Zone Seven, a post-war occupied territory, into the hellish clutches of the Motherland. Now a new horror approaches.
Though it’s unnamed, the Motherland’s distinguishing features scream “Nazi Germany.” Life in Zone Seven is a dreary round of familiar miseries. Standish and Hector spin fantasies about the far-off tantalizing consumer culture they glimpsed on television (now banned), but they lack a vision of the future beyond vague dreams of rescue. Food is scarce; surveillance constant. Loved ones vanish; teachers beat children to death while classmates look on. Abetting the powerful, residents inform on their neighbors for food. Kindness revealed is punished; solutions are final. Call it Auschwitz lite. Why the brutal state bothers to educate those, like Standish, labeled “impure” (his eyes are of different colors and he’s dyslexic), is unclear. Despite short chapters and simple vocabulary and syntax, the detailed, sadistic violence makes this is a poor choice for younger readers, while oversimplified characters, a feeble setting and inauthentic science make it a tough sell for older ones. In this nuance- and complexity-free world, scarcity rules. Standish dreams of “ice-cream-colored Cadillacs” and drinking “Croca-Colas.” Wealth-disparity, climate change and childhood obesity don’t exist.
Despite intentions, this tale never connects past to present, resulting in a book with a message but no resonance. (Speculative fiction. 13 & up)Pub Date: Feb. 12, 2013
ISBN: 978-0-7636-6553-1
Page Count: 288
Publisher: Candlewick
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A thought-provoking and grimly enjoyable tale exploring a strange future.
A virus that kills some but leaves those who recover utterly happy and filled with empathy is at the center of this dystopian science-fiction thriller.
In a post-Covid-19 society, the fates of three teens become intertwined when the new Crown Royale virus breaks out. Despite the 4% mortality rate, its positive effects on those who survive quickly make it desirable, and some people purposefully try to catch it. Using third-person narration, Shusterman introduces Mariel Mudroch, who at the story’s opening is living in a car with her mom; Mariel turns out to be immune to the virus. The boy she falls for, Rón Escobedo, is from an extraordinarily wealthy family and has suffered from persistent depression. When he recovers from the virus, he learns that he’s an alpha-spreader, someone who continues shedding the virus even after they’re healthy. Finally, ambitious Morgan Willmon-Wu is approached by the rich and powerful Hungarian-born Dame Havilland, who leaves her money to Morgan, stipulating that she use it to “eradicate Crown Royale from the face of the Earth.” In his trademark darkly witty, wonderfully over-the-top style, the author meanders through interesting ethical questions as the action plays out globally with a cast of diverse background characters, eventually leading to a conclusion that leaves things wide open for a sequel. Mariel presents white, Rón is cued Latine, and Morgan, who’s interested in both girls and boys, is biracial (Chinese and white).
A thought-provoking and grimly enjoyable tale exploring a strange future. (Dystopian. 13-18)Pub Date: Feb. 4, 2025
ISBN: 9781534432758
Page Count: 528
Publisher: Simon & Schuster
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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