illustrated by Sally Garland ‧ RELEASE DATE: Oct. 16, 2018
This one’s all about the charming illustrations; readers will enjoy the familiar lullabies, but it’s not a seminal collection
A board-book collection of familiar, classic lullabies and children’s rhymes.
Garland’s illustrations of a darling bunny family accompany this set of childhood favorites, from “Rock-a-Bye Baby” to “Hush, Little Baby.” Two original rhymes that share the book’s title are included as bookends to the others, both to the tune of “Hush Little Baby.” These two are, frankly, unnecessary additions, with awkward lines that pale in comparison with the others. Because the lullabies are well-known, the watercolor-and-ink illustrations really take center stage. Each spread shows the bunny mother and her two little bunnies progressing closer and closer to bedtime, reading (and acting out) the rhymes as they go. There is excellent use of repeated, echoing images, including the tree and its famous rock-a-bye branches and the moon that the cow jumped over. The animals of “Hey, Diddle, Diddle” are adorable and make for a painting that readers might wish they could hang on the wall. The collection could nicely be used as a bedtime book for young readers or simply as a one-poem-at-a-time resource—just be sure to skip the first and last.
This one’s all about the charming illustrations; readers will enjoy the familiar lullabies, but it’s not a seminal collection . (Board book. 6 mos.-4)Pub Date: Oct. 16, 2018
ISBN: 978-1-4867-1546-6
Page Count: 20
Publisher: Flowerpot Press
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Kwame Alexander ; illustrated by Kadir Nelson ‧ RELEASE DATE: April 2, 2019
An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and...
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Kirkus Prize
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IndieBound Bestseller
Past and present are quilted together in this innovative overview of black Americans’ triumphs and challenges in the United States.
Alexander’s poetry possesses a straightforward, sophisticated, steady rhythm that, paired with Nelson’s detail-oriented oil paintings, carries readers through generations chronicling “the unforgettable,” “the undeniable,” “the unflappable,” and “the righteous marching ones,” alongside “the unspeakable” events that shape the history of black Americans. The illustrator layers images of black creators, martyrs, athletes, and neighbors onto blank white pages, patterns pages with the bodies of slaves stolen and traded, and extends a memorial to victims of police brutality like Sandra Bland and Michael Brown past the very edges of a double-page spread. Each movement of Alexander’s poem is a tribute to the ingenuity and resilience of black people in the U.S., with textual references to the writings of Gwendolyn Brooks, Martin Luther King Jr., Langston Hughes, and Malcolm X dotting stanzas in explicit recognition and grateful admiration. The book ends with a glossary of the figures acknowledged in the book and an afterword by the author that imprints the refrain “Black. Lives. Matter” into the collective soul of readers, encouraging them, like the cranes present throughout the book, to “keep rising.”
An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and our tomorrow. (Picture book/poetry. 6-12)Pub Date: April 2, 2019
ISBN: 978-1-328-78096-6
Page Count: 40
Publisher: Versify/HMH
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Marion Dane Bauer ; illustrated by Ekua Holmes ‧ RELEASE DATE: Sept. 4, 2018
Wow.
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Coretta Scott King Book Award Winner
The stories of the births of the universe, the planet Earth, and a human child are told in this picture book.
Bauer begins with cosmic nothing: “In the dark / in the deep, deep dark / a speck floated / invisible as thought / weighty as God.” Her powerful words build the story of the creation of the universe, presenting the science in poetic free verse. First, the narrative tells of the creation of stars by the Big Bang, then the explosions of some of those stars, from which dust becomes the matter that coalesces into planets, then the creation of life on Earth: a “lucky planet…neither too far / nor too near…its yellow star…the Sun.” Holmes’ digitally assembled hand-marbled paper-collage illustrations perfectly pair with the text—in fact the words and illustrations become an inseparable whole, as together they both delineate and suggest—the former telling the story and the latter, with their swirling colors suggestive of vast cosmos, contributing the atmosphere. It’s a stunning achievement to present to readers the factual events that created the birth of the universe, the planet Earth, and life on Earth with such an expressive, powerful creativity of words paired with illustrations so evocative of the awe and magic of the cosmos. But then the story goes one brilliant step further and gives the birth of a child the same beginning, the same sense of magic, the same miracle.
Wow. (Picture book. 3-8)Pub Date: Sept. 4, 2018
ISBN: 978-0-7636-7883-8
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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