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BENJI, THE BAD DAY, AND ME

An ordinary story is given a spark of life by the inclusion of an empathetic little brother with autism.

Who wins in a competition for attention with a sibling with autism? It’s not a “who,” it’s a “what”: brotherly love.

It seems the universe is conspiring against Sammy. He is fed up with trouble at school, a pizza shortage, a missed bus stop, and rain, and he gets home only to be ignored because Benji is having a bad day and has retreated to his box. Sammy reminisces about better times and blueberry smoothies, but when he starts crying over spilled milk, Benji leaves his cardboard sanctuary to snuggle his brother in a blue-blanket burrito, demonstrating that love is a never-fail remedy for bad days. Vibrant, full-color illustrations in acrylic and colored pencil, punctuated by his monochromatic memories, accompany the first-person narrative. On face-to-face wordless pages, Min lets readers see a woeful Sammy through the narrow window in Benji’s box, ensuring Benji’s agency. Giving order and structure to what can be an unpredictable world, the wooden inhabitants of Benji’s block city march across the title page, scatter about the story, and finally line up in columns and rows on the back of the book jacket. Pla selects a common theme, the power of familial love to overcome adversity, and deftly moves the challenges of autism to a supporting detail rather than a distracting focus in this simple picture book. That Min depicts this family as people of color further broadens this story’s inclusive reach.

An ordinary story is given a spark of life by the inclusion of an empathetic little brother with autism. (author’s note) (Picture book. 4-8)

Pub Date: Sept. 25, 2018

ISBN: 978-1-62014-345-2

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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THE HALLOWEEN TREE

Just the thing for anyone with a Grinch-y tree of their own in the yard.

A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.

A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.

Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7335-4

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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