by Sally J. Pla ; illustrated by Ken Min ‧ RELEASE DATE: Sept. 25, 2018
An ordinary story is given a spark of life by the inclusion of an empathetic little brother with autism.
Who wins in a competition for attention with a sibling with autism? It’s not a “who,” it’s a “what”: brotherly love.
It seems the universe is conspiring against Sammy. He is fed up with trouble at school, a pizza shortage, a missed bus stop, and rain, and he gets home only to be ignored because Benji is having a bad day and has retreated to his box. Sammy reminisces about better times and blueberry smoothies, but when he starts crying over spilled milk, Benji leaves his cardboard sanctuary to snuggle his brother in a blue-blanket burrito, demonstrating that love is a never-fail remedy for bad days. Vibrant, full-color illustrations in acrylic and colored pencil, punctuated by his monochromatic memories, accompany the first-person narrative. On face-to-face wordless pages, Min lets readers see a woeful Sammy through the narrow window in Benji’s box, ensuring Benji’s agency. Giving order and structure to what can be an unpredictable world, the wooden inhabitants of Benji’s block city march across the title page, scatter about the story, and finally line up in columns and rows on the back of the book jacket. Pla selects a common theme, the power of familial love to overcome adversity, and deftly moves the challenges of autism to a supporting detail rather than a distracting focus in this simple picture book. That Min depicts this family as people of color further broadens this story’s inclusive reach.
An ordinary story is given a spark of life by the inclusion of an empathetic little brother with autism. (author’s note) (Picture book. 4-8)Pub Date: Sept. 25, 2018
ISBN: 978-1-62014-345-2
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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