Visually beautiful but conceptually off the mark.
Lloyd-Jones and Dyer introduce children to the concept of “self” in relation to “place.”
A little redheaded girl is gradually made aware of the expanding boundaries of her world, from the familiar and immediate environment of her house to the schoolyard and beyond, culminating with the world: “On the ground where you stand / In a place of Your Own / In the world / That’s Your Home.” Throughout this catalog of the mundane, the language ranges from lyrical (“And the sun rising up / Is the light of Your Eyes”) to pedestrian, even monotonous (“A cat is Your Cat / And a dog is Your Dog / And they are Your Pets”). Whenever something or someone associated with the child is named, the word “your” and the subsequent noun are capitalized: “Your Tree,” “Your Life” and “Your Grandpa.” This emphasis on the possessive pronoun is mystifying and feels overdone, unless the intent is to reassure an insecure child—which this chubby-cheeked preschooler does not appear to be. Dyer’s soft gouache and pencil illustrations are extensions of the soothing tone set by the author and are poetic in their own right, depicting an idealized Caucasian family in an appealing Craftsman-style rural home. They cannot, however, compensate for the needlessly drawn-out text, which is almost too long for the intended age group.
Visually beautiful but conceptually off the mark. (Picture book. 3-5)Pub Date: Feb. 10, 2015
ISBN: 978-0-375-85884-0
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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