The desire to live free is powerful, and this story celebrates one man’s amazing journey to achieve that end.
When his wife and children are sold away, an enslaved man devises an extraordinary means of escape to the North and succeeds.
Henry Brown worked in a tobacco factory in Richmond, Va. With the help of abolitionist friends, he built a box barely big enough for his large frame and mailed himself to Philadelphia and “freedom-land.” Walker, winner of the Sibert Medal, captures the spirit and resolve of the man through her graceful writing and inclusion of songs of praise. She recounts his childhood, marriage to another slave and the fears, soon realized, that the family would be torn apart. Textured paintings and collage by Qualls express both the depth of Henry’s love and the drama and ordeal of the journey, with dark shadows depicting the closeness of the box. Walker does change one fact. She has Henry cut his finger to get sent home prior to the escape. He actually used acid, as recounted in the award-winning Henry’s Freedom Box, by Ellen Levine and illustrated by Kadir Nelson (2007). Nonetheless, this stands as another excellent, accessible account of the harshness of slavery. An excerpted letter written by the recipient of Henry “Box” Brown is included.
The desire to live free is powerful, and this story celebrates one man’s amazing journey to achieve that end. (author’s note) (Picture book/biography. 5-10)Pub Date: Jan. 1, 2012
ISBN: 978-0-06-058310-1
Page Count: 40
Publisher: HarperCollins
Review Posted Online: Dec. 19, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Absolutely wonderful in every way.
A long-forgotten chapter in New York City history is brilliantly illuminated.
In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.
Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)Pub Date: March 8, 2016
ISBN: 978-0-375-87071-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Utterly compelling.
The authors of Fatty Legs (2010) distill that moving memoir of an Inuit child’s residential school experience into an even more powerful picture book.
“Brave, clever, and as unyielding” as the sharpening stone for which she’s named, Olemaun convinces her father to send her from their far-north village to the “outsiders’ school.” There, the 8-year-old receives particularly vicious treatment from one of the nuns, who cuts her hair, assigns her endless chores, locks her in a dark basement and gives her ugly red socks that make her the object of other children’s taunts. In her first-person narration, she compares the nun to the Queen in Alice in Wonderland, a story she has heard from her sister and longs to read for herself, subtly reminding readers of the power of literature to help face real life. Grimard portrays this black-cloaked nun with a scowl and a hooked nose, the image of a witch. Her paintings stretch across the gutter and sometimes fill the spreads. Varying perspectives and angles, she brings readers into this unfamiliar world. Opening with a spread showing the child’s home in a vast, frozen landscape, she proceeds to hone in on the painful school details. A final spread shows the triumphant child and her book: “[N]ow I could read.”
Utterly compelling. (Picture book/memoir. 5-9)Pub Date: April 1, 2013
ISBN: 978-1-55451-490-8
Page Count: 32
Publisher: Annick Press
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
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