by Sally M. Walker ; illustrated by Jonathan D. Voss ‧ RELEASE DATE: Jan. 20, 2015
Ideal for Winnie-the-Pooh fans, this clear, straightforward biography reveals the bear behind the tale.
A soldier’s pet becomes famous.
During a short stop on a train ride across Canada during World War I, veterinarian-turned-soldier Harry Colebourn buys an orphaned bear cub he sees at a station. He names her Winnipeg for his company’s hometown; it’s quickly shortened to Winnie. He and his fellow soldiers take her along to England and keep her as a pet until the company leaves to fight in France. Harry finds her a home at the London Zoo, where she entertains generations of children, including young Christopher Robin, who renames his bear after her. Though she mentions A.A. Milne’s book, Walker’s narrative focuses on the bear. Opening and closing spreads of black-and-white photographs attest to the story’s truth; the misty edges of Voss’ ink-and-watercolor illustrations, from vignettes to full-page spreads, suggest its place in history. Readers see the appealing bear clinging to Harry as a young cub, climbing all over him in a game of “hide-and-seek-biscuits,” looking at them apprehensively over Harry’s shoulder during the ride to the zoo, and, fully grown, being hugged and ridden by children. An author’s note expands on Harry’s story and adds some facts on black bears and Milne’s children’s books.
Ideal for Winnie-the-Pooh fans, this clear, straightforward biography reveals the bear behind the tale. (sources, websites) (Informational picture book. 4-8)Pub Date: Jan. 20, 2015
ISBN: 978-0-8050-9715-3
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Sept. 30, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Katheryn Russell-Brown ; illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2014
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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