A magical book takes readers to another world.
A story of ancient Persia inside a story of 20th-century Iran accompanied by an easily accessible soundtrack.
A brother and sister in Iran run to the public park to listen to a storyteller backed by musicians narrate the tale of Prince Zal and the Simorgh, an ancient wise bird with the powers to make dreams come true. Zal is born to a Persian king and queen who have long awaited a child. However, when the king sees that the child’s hair is white as snow, he banishes the babe. The Simorgh finds the crying baby abandoned in the forest and raises him with her chicks, teaching him poetry, science, the history of the universe, and all else a prince needs to know. The king finds Zal after 16 years of regret and offers him the throne, but Zal prefers to stay with the mother who raised him. The Simorgh saves the day with her wisdom, the storyteller and musicians pack their gear, and the little children can’t wait to hear the remainder of the story the next day. This beautiful, traditional tale is illustrated with a touch of magic by Sharif, who uses jewel-toned colors applied with a scratchboard effect that seems to pick out every feather on the Simorgh’s body. A QR code provides access to the soundtrack, in which each character is “voiced” by a different traditional Iranian instrument (explained in the backmatter).
A magical book takes readers to another world. (Picture book. 4-8)Pub Date: March 18, 2020
ISBN: 978-1-910328-43-9
Page Count: 32
Publisher: Tiny Owl
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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