The noted British novelist (Shame, Midnight's Children) reports on a recent visit to Nicaragua. Rushdie came to the country with a basically anti-American point of view, objecting to the "dirty tricks" of the Reagan government which, as he duly quotes Nicaraguan President Daniel Ortega, are looked upon as "worse than Hitler." Rushdie's lack of sympathy with Americans extends to a clumsy attempt to capture American dialogue, speckled with "reckons" and similar clichés, surprisingly maladroit for so accomplished a writer. However, this brief but telling account does not idealize the Sandinistas either. Where they show ignorance or naiveté, it is commented upon, such as when an interpreter finds it impossible to believe that forced labor camps exist in the Soviet Union, or when Cultural Minister Ernesto Cardenal refuses to ackowledge any human-rights violations against writers and homosexuals in Castro's Cuba. Although obviously not a reporter by temperament, Rushdie does a diligent journalistic job of seeing the country, even visiting the hospitals full of young casualties of the fight against the contras. Most of this closely argued little book is appealing for its sympathy with this troubled country, where most politicians are poets: Ortega says that "everybody is considered to be a poet until he proves to the contrary." Another poet of Nicaraguan history, trapped by Somoza and ordered to surrender, responded with the memorable line, "let your mother surrender!" But ultimately the unanswered anti-American bias here will gall.
Pub Date: March 1, 1987
ISBN: 081297672X
Page Count: 88
Publisher: Viking
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: Feb. 15, 1987
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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