Formidably erudite, engagingly passionate, and endlessly informative: a literary treat.
Wide-ranging nonfiction pieces by the distinguished novelist, unified by his commitment to artistic freedom and his adamant opposition to censorship in any form.
Rushdie sets the tone in the opening essay of this stimulating collection, culled from various lectures, journalism, and introductions to books and exhibition catalogs (all “thoroughly revised”). “Before there were books, there were stories,” writes the author: Fiction was born from folktales, fables, and mythology, and the modern works Rushdie most admires share with those “wonder tales” an understanding that “injecting the fabulous into the real [makes] it more vivid and strangely, more truthful.” In Parts 1 and 2, the author ranges across world mythology; the two great progenitors of modern literature, Cervantes and Shakespeare; and their 20th-century successors, including Vonnegut, Roth, Márquez, Beckett, and Pinter. All underscore Rushdie’s point that conventional realism is insufficient to capture life’s endless variety and strangeness. Part 3 engages with the political and social battles of our day, “when reality itself seems everywhere under attack.” As the victim of attacks over allegedly blasphemous content in The Satanic Verses, Rushdie notes the essential similarity of Islamic and right-wing Christian fundamentalism, eloquently affirming the democratic values of pluralism, secularism, and tolerance. In several pieces about his work with PEN, where he established and served for a decade as chairman of the World Voices International Literary Festival, the author once again draws connections among artistic, political, and civil liberties and celebrates the international solidarity of artists. Part 4 spotlights the visual arts, from the 16th-century series of hundreds of paintings chronicling the “Adventures of Hamza,” a pinnacle of Mughal art, to Hungarian Indian painter Amrita Sher-Gil and African American artist Kara Walker. Moving tributes to departed friends Christopher Hitchens and Carrie Fisher capture the warmth underlying their famed acerbity, wit, and rage—qualities Rushdie has been known to exhibit himself. This collection, however, showcases his generous spirit, dedicated to illuminating the work of fellow artists and defending their right to unfettered creativity.
Formidably erudite, engagingly passionate, and endlessly informative: a literary treat.Pub Date: May 25, 2021
ISBN: 978-0-593-13317-0
Page Count: 368
Publisher: Random House
Review Posted Online: Feb. 7, 2021
Kirkus Reviews Issue: March 1, 2021
SEEN & HEARD
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
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