by Salvatore Rubbino ; illustrated by Salvatore Rubbino ‧ RELEASE DATE: March 11, 2014
Sparkling lights and lovely sights fill this whirlwind tour of Paris.
Is there really a building with its ductwork and escalators on the outside?
A little girl discovers there is indeed as her grandfather points to the Pompidou Center on their walking tour of Paris. The two emerge from the Paris Metro to spend the day viewing the architecture, culture and landmarks of the great city. They wander the narrow streets and the wide boulevards, full of pigeons and bicyclists, sidewalk cafes, artists and booksellers. They watch the boats float down the River Seine and taste cheese at the local market. The girl waits patiently (a note explains that “queue” is the French word for “line”) to climb to the top of Notre-Dame Cathedral to get a bird’s-eye view of the city. Scattered about the pages in a distinct, smaller typeface that does not overshadow the primary text are translations of commonly used French words and terms, historical facts, trivia and even travel tips. The consciously retro illustrations in soft, muted colors are lively and expressive, and there’s a nice balance between detailed images and simple silhouettes. Adults familiar with M. Sasek’s This Is… series will find this pleasantly reminiscent of those old favorites. As the book reads more like a travelogue and less a story with a captivating plot, its natural audience is older readers of picture books.
Sparkling lights and lovely sights fill this whirlwind tour of Paris. (Picture book. 4-8)Pub Date: March 11, 2014
ISBN: 978-0-7636-6984-3
Page Count: 40
Publisher: Candlewick
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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by Dan Santat ; illustrated by Dan Santat ‧ RELEASE DATE: Oct. 3, 2017
A validating and breathtaking next chapter of a Mother Goose favorite.
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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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