by Sam McBratney ‧ RELEASE DATE: Sept. 24, 2013
These are spinoffs from a TV series that is itself a spinoff. Not surprisingly, the dilution of both visual and literary...
The Guess How Much I Love You franchise sets a low bar for its knockoff sequels.
Seeing dark clouds gather, Little Nutbrown Hare, Little Field Mouse, Little Grey Squirrel and Little Redwood Fox (who is, evidently, not very hungry) join Big Nutbrown Hare in a cave, then venture out after the storm to splash about and see a rainbow. The soft, intimate texture of the art in the original stories is gone, replaced by hard-edged, less finely drawn details and creatures depicted with generic postures and expressions. The animal figures are mechanically superimposed into the scenes in the manner of an animated cartoon and so float over the background meadows rather than run through them and stand atop rather than in the solid-looking puddles. With similar disregard for production values, in the co-published Snow Magic, Big and Little Nutbrown watch snow fall from a slightly misted moonlit sky, then with Little Field Mouse gambol over the drifts without appearing to touch them. In this second episode, Little Nutbrown’s mild character undergoes a sudden alteration as well: “[He] gave a crafty smile as he kicked his ball with another mighty kick. ‘Race you!’ ”
These are spinoffs from a TV series that is itself a spinoff. Not surprisingly, the dilution of both visual and literary quality goes beyond atrocious. (Picture book. 4-6)Pub Date: Sept. 24, 2013
ISBN: 978-0-7636-6993-5
Page Count: 24
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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by Sam McBratney ; illustrated by Anita Jeram
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New York Times Bestseller
by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Sept. 5, 2023
A stocking stuffer par excellence, just right for dishing up with milk and cookies.
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New York Times Bestseller
Pigeon finds something better to drive than some old bus.
This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”
A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)Pub Date: Sept. 5, 2023
ISBN: 9781454952770
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Sept. 12, 2023
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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