MINDI AND THE GOOSE NO ONE ELSE COULD SEE

A loving father and a wise neighbor find a way for Mindi’s invisible goose to depart.

Mindi’s goose, seen as a large and looming shadow on her bedroom wall, “came into her room as quietly as a thought…and…stayed there for as long as it wanted to.” Children will understand that Mindi can’t get rid of the goose on her own. Mindi’s father hikes over the hills to visit Austen, a “wise old man” who helps others with “sensible advice.” Austen asks that Mindi journey with her father to visit. Austen allows her to feed a young goat some apricots. “If she likes you she will give you back the stone.” The hidden stones of the apricots and, later, plums returned by the little goat to Mindi’s hand seem poetic and meaningful. The little girl gives the heretofore nameless kid a pragmatic name: Black-and-Whitey. When, a week later, Austen arrives at Mindi’s house, little goat in tow, and tells Mindi that the goat is hers in exchange for “the big goose no one else can see,” Mindi’s mother’s expression is amusing. McBratney’s posthumously published tale is filled with a gentle kindness, and the illustrations pick up on that, both treating the child’s fear with respect. Ólafsdóttir’s country scenes are tidy and filled with sunlight, Austen’s many animals look contented, and a young goat bounces across the endpapers. All the characters are White. (This book was reviewed digitally with 10.6-by-19.6-inch double-page spreads viewed at 29.1% of actual size.)

Low-key and reassuring.