Opening itself up to myriad conversations and interpretations, Free is fabulous.
A child and grandfather help a fine feathered friend.
The child’s first-person narration recounts the discovery of a sickly bird one morning. The grandfather and child (who both appear White) nurse the bird back to health throughout the course of the day. Each time they do something for the bird, they leave it outside to set it free, but it returns to them. Finally, the grandfather suggests that they search for a tree like one he sees alongside a picture of the same type of bird in a bird book. At this point in the story, the colorful watercolor-and-ink illustrations take a turn toward the fantastic, with the child and grandfather traversing rocky, mountainous terrain to reach the tree and the mild, English pastel palette taking on dramatic tones. Soon after they reach their destination, an enormous flock of colorful birds (depicted on the cover) alights on the branches, with the human characters perched alongside them. They all enjoy a “midnight feast” of oversized berries and then the birds fly the child and grandfather “all the way home” for breakfast. Usher’s art, which bears a resemblance to Quentin Blake’s style, makes the most of panels to show sequential movement in this scene. The mechanics of the feat are not quite clear, but the thrill is. The bird they rescued stays with the flock, but there’s no sadness in that fact (though the child hopes that the bird “visits again tomorrow”).
Opening itself up to myriad conversations and interpretations, Free is fabulous. (Picture book. 3-6)Pub Date: April 20, 2021
ISBN: 978-1-5362-1704-9
Page Count: 40
Publisher: Templar/Candlewick
Review Posted Online: Feb. 8, 2021
Kirkus Reviews Issue: March 1, 2021
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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