Outrageously original and deeply felt stories with an indelible effect.
Startling, otherworldly encounters reveal universal emotions in six fierce short stories.
Schweblin, who writes both novels and short stories, proves once again here how urgent and efficient fiction can be. The six tart slices that make up this bitter dark-chocolate orange are a provocative answer to the Beatles’ question: “All the lonely people / Where do they all belong?” The book’s lonely people include a woman who tries to drown herself; estranged friends on the phone reliving an accident; a 2-year-old boy who has lost the ability to speak; a writer at a residency in Shanghai; the grown daughter of a dementia patient; and two young sisters determined to rehabilitate a shattered poet. These are forces of nature with powerful intellects, internationally situated (Schweblin is from Buenos Aires and lives in Berlin), conversant in upheaval and despair, who make startling leaps of time and circumstances. In these stories, each person hungry to connect has a counterpart who can’t or won’t respond. Attempts at closing the gap create guilt, foreboding, or a sharper awareness: We love others but are ultimately alone. And yet each story sings with meaning the reader gleans from witnessing. As one of the young sisters notes of a mysterious house: “You had to stand there for a moment, very still, and get used to that even darker darkness, before you could finally see anything.” These stories, too, require an adjustment of the eyes, so that just after we are shocked by an eerie threat (a ghostly cat, a telepathic neighbor, a violent guest), we realize we have been party to a central human truth. Some revelations come in the form of body horror, and the gore can be hilariously goofy—a welcome lightness to the more somber scenes of tender caretaking (or unapologetic cruelty). Schweblin and veteran translator McDowell trace the slim barrier between perception and reality with masterful narration, piercing dialogue, stealthy wit, and psychological precision.
Outrageously original and deeply felt stories with an indelible effect.Pub Date: Sept. 16, 2025
ISBN: 9780593803103
Page Count: 192
Publisher: Knopf
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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