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ROCK WHAT YA GOT

A book for new and seasoned artists alike.

An artist’s sketch of a little girl comes alive with a message of self-love in Berger and Kerascoët’s debut collaboration.

“Once upon a black piece of paper, where anything could happen… / an artist picked up a pencil and started to draw.” And where pencil meets paper, little Viva comes to be. But something about Viva isn’t right, or so her artist thinks, and down comes the eraser until Viva jumps right off the page in protest. “Excuse me, lady artist, ma’am, / but I like me the way I am,” she insists, and as her artist tries changing Viva’s hair, her body, and her background (all to no avail), Viva responds with variations on a refrain: “Find what is yours and carve out your spot… / take it and love it and rock it a lot!” Berger’s prose is a joyous celebration of self-love and empowerment, as Viva not only challenges her artist’s perfectionism to reframe supposed flaws, but also reminds her that “rock what ya got” was once the artist’s own powerful mantra. Kerascoët captures this same exuberance and breathes life into every inch of the page, juxtaposing the realistic world of the artist with Viva’s two-dimensional vibrancy. Nostalgia features heavily here but doesn’t weigh down the otherwise energetic narrative. Viva’s look is informed by the artist’s self-image, and both are illustrated as racially ambiguous, with beige skin and vigorously curly dark hair.

A book for new and seasoned artists alike. (Picture book. 3-7)

Pub Date: Sept. 25, 2018

ISBN: 978-0-316-56150-1

Page Count: 40

Publisher: Little, Brown

Review Posted Online: June 23, 2018

Kirkus Reviews Issue: July 15, 2018

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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