What’s meant to be a cultural celebration is, alas, culturally inaccurate.
What’s a birthday without a piñata?
A young girl’s family, along with some talented farm animals, get cracking as soon as she leaves for the market. To the traditional rhythms of “The House that Jack Built,” clay is gathered, water hauled, paper shredded, etc., until all is ready for the celebration. The girl and the code-switching rhyming scheme from Vamos’ The Cazuela that the Farm Maiden Stirred (illustrated by Rafael López, 2011) return for more Spanish vocabulary reinforcement. The inclusion of Oaxacan alebrijes indicates the setting is Mexico. As such, it’s puzzling as to why “pasta” is used for the glue paste instead of the correct piñata-making term: “engrudo.” The European term “farm maiden” is also incongruous to the setting. Barcelona-based Serra’s inaccurate illustrations further the sense of inauthenticity. The characters present as Spaniards and not Mexicans, as evidenced by clothing and hats. Plain wood carvings are substituted for the fantastical alebrijes referenced in the text. Papel picado banners are depicted as pennants instead of rectangles. His piñata seems to have clay points rather than cardboard. Even the “brilliant bluebells” the caballo picks are European rather than Mexican. To add insult to injury, the glossary includes Anglicized pronunciations: “sor-PRAY-sah” instead of sor-PREH-sah for “surprise.” Such lighthearted touches as the cat ferociously shredding paper cannot mitigate the book’s flaws.
What’s meant to be a cultural celebration is, alas, culturally inaccurate. (piñata instructions, glossary) (Picture book. 4-8)Pub Date: Jan. 8, 2019
ISBN: 978-1-58089-796-9
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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