by Samuel Caraballo & illustrated by Thelma Muraida ‧ RELEASE DATE: Nov. 30, 2012
A charming, if idealized tale highlighting a situation familiar to many children
This bilingual tale captures the loving relationship of two latchkey siblings.
In a first-person narration, Pablito describes how his sister Anita takes care of him while his parents work in a factory to “sew jeans for the whole world.” After Anita wakes him up, Pablito brushes his teeth, dresses for school and ties his own shoes. In the kitchen, he eats the oatmeal his sister has made, and then the two walk down the street to the bus stop. Pablito picks some flowers for Anita along the way then boards the bus for school. The story skips ahead to the end of Pablito’s school day, with his sister meeting him at his bus and the pair returning to their house, where Anita helps her brother with homework. A friendly soccer game with two boys follows, before the siblings eat reheated leftovers for dinner. Pablito showers and asks his sister for a bedtime story and a song. After he falls asleep, his parents return and thank Anita for the wonderful care she has given to Pablito. Caraballo’s narrative is well-paced, although the flow is marred by occasionally awkward onomatopoeia. English text precedes the Spanish translation, often complemented by small illustrations highlighting Muraida’s artwork on the facing pages.
A charming, if idealized tale highlighting a situation familiar to many children . (Picture book. 3-7)Pub Date: Nov. 30, 2012
ISBN: 978-1-55885-750-6
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 18, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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by Kobi Yamada ; illustrated by Natalie Russell ‧ RELEASE DATE: March 1, 2017
A sweet, soft conversation starter and a charming gift.
Awards & Accolades
Our Verdict
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Google Rating
New York Times Bestseller
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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