BLOOD MOON
by Sandra Brown
A TV producer and a detective try to stop a strange pattern of young women disappearing.
In “Auclair, Loooziana,” disillusioned detective John Bowie reluctantly meets in a bar with Beth Collins, producer for the true crime show Crisis Point. She needs to interview him about the disastrous case of the missing Crissy Mellin, but he refuses. The teenager disappeared three years ago on the night of a blood moon and hasn’t been found, but a suspect hanged himself in jail after signing a confession. Case closed, says John’s boss. But John is convinced that their prisoner could not have been guilty, and he’s deeply upset at his failure. “The Mellin case messed up your life,” Beth tells him. She persuades John that Crissy’s disappearance is the latest of a series that happen on the night of a blood moon, the colloquial term for a total lunar eclipse. “It’s going to happen again,” she predicts. And wouldn’t you know, another blood moon is coming in four days. Tick, tick, tick. Beth’s boss at Crisis Point insists on airing an update on the case, but Beth knows the show is going to get it wrong, and its reputation will be ruined. Meanwhile, there’s an electric sexual tension between Beth and John that the author toys with nicely—do they, or don’t they? The answer plays out in detail more than once. The characters are fun if easy to pigeonhole: the detective angry at his failure, the honest (and beautiful) outsider eager to do her job but susceptible to love, the hero’s corrupt (to say the least) boss, and the ogre who carries out said boss’s dirtiest deeds. Even John’s dog, Mutt, plays a small but vital role. When John found him, he’d been “a flea-bitten hide wrapped around a skeleton that whimpered.” Little plot devices are easy to spot, like the phone that rings at a crucial moment, or the handgun that John places in Beth’s hand for her protection. Does Chekhov’s guideline apply here? The romantic angle leavens the dark theme, and readers will have plenty of incentives to turn the pages.
A satisfying crime novel with a side order of romance.